F J Prettyman - definição. O que é F J Prettyman. Significado, conceito
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O que (quem) é F J Prettyman - definição

ENGLISH ORIENTALIST PAINTER
J F Lewis; J. F. Lewis
  • ''An Armenian lady, Cairo – The love missive'', 46 × 35 cm, oil on panel, 1855. The young woman in the background was reworked as a standalone subject in ''The Coffee Bearer'', two years later.
  • ''A Frank Encampment in the Desert of Mount Sinai – 1842 – The Convent of St. Catherine in the Distance'', showing English aristocrats on a tour, watercolour, 1856
  • ''The Reception'', 1873, version in oils, using drawings of Lewis' house in Cairo, which he had left over 20 years before<ref>Weeks; Tromans, 25&ndash;27</ref>
  • ''The Coffee Bearer'', oil (1857)
  • A photo from the late 1860s
  • The Harem - Introduction of an Abyssinian slave, 1860s version

F. J. Prettyman         
  • The Rev. Forrest Johnston Prettyman
METHODIST CLERGYMAN (1860-1945)
F.J. Prettyman
Forrest Johnston Prettyman (April 7, 1860 – October 12, 1945) was a Methodist clergyman who served as Chaplain of the Senate from 1903 to 1904 and 1913 to 1921.Who's Who in American Methodism, by Carl Fowler Price, p, 175
Julie F. Barcelona         
FILIPINO BOTANIST
Julie Barcelona; Barcelona, J. F.
Julie F. Barcelona is a Filipina botanist and taxonomist working as Research Associate at University of Canterbury (Christchurch, New Zealand).
John F. Richards         
AMERICAN HISTORIAN (1938-2007)
J. F. Richards
John F. Richards (November 3, 1938 – August 23, 2007) was a historian of South Asia and in particular of the Mughal Empire.

Wikipédia

John Frederick Lewis

John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.

His very careful and loving representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including the leading French Orientalist painter Jean-Léon Gérôme in his later works. Unlike many other Orientalist painters who took a salacious interest in the women of the Middle East, he "never painted a nude", and his wife modelled for several of his harem scenes. These, with the rare examples by the classicist painter Lord Leighton, imagine "the harem as a place of almost English domesticity, ... [where] ... women's fully clothed respectability suggests a moral healthiness to go with their natural good looks".